When Llona steps onto the stage in Lagos on August 2, 2025, it will mark the 25th and final stop of his “Homeless” tour, a bold and emotional journey across Nigeria that has changed the conversation around local music touring.
This tour has not only been historic in its scale but also powerful in its impact. From Kano to Enugu, Port Harcourt to Makurdi, Nigerians turned up in droves to experience Llona’s gospel. They came to sing, cry, heal, and celebrate the sound that speaks directly to their reality. And in doing so, they proved one thing: music still holds the power to unite across tribe, religion, and class.
https://t.co/zZ33S379iU pic.twitter.com/vRE04wOQlg
— Llona (@Boyllona_) June 21, 2025
Touring in Nigeria is no small task. The economic climate, safety concerns, and lack of infrastructure have made it a steep hill to climb for most artists. But for Llona, connecting with his people was worth every obstacle. Since his breakout with the critically acclaimed album Homeless in 2024, which explored themes of pain, faith, and survival, Llona has become a voice for the unheard. And rather than take the common route of international tours, he chose to take his music straight to the people who needed it most, right here in Nigeria.
The tour began quietly on February 22, 2025, in Zaria, Kaduna State, with a modest opening. No fanfare, just a deeply personal connection with fans. As word spread and the crowds grew, the Homeless tour quickly became one of the most talked-about events in Nigerian music. Llona and his team at KVLT, led by Jemedafe Caleb Ukoli and supported by Olamide “Badman Mide” Olabiyi, Olamide-Adeola Ademeso, and Tolu Daniel, began mapping out a nationwide tour based on streaming data and grassroots engagement.
Kano, we made history together! pic.twitter.com/qhra8R4cbX
— Llona (@Boyllona_) July 6, 2025
At the beginning, only two cities were fully secured. Yet, the tour flyer listed 22 stops. What looked like wishful thinking became a reality. City by city, state by state, Llona showed up, and the people responded. They filled up halls and outdoor venues, braving everything from harsh weather to transportation issues just to feel a moment of spiritual connection through music.
The journey was not without struggle. According to his team, the biggest challenges were funding and security. With little to no external sponsorship, the team funded the tour out of pocket. Every show was a financial and logistical risk. For some cities, like Kogi, the team had to pass through Abuja to secure police escorts before continuing the journey. Still, they pressed on, building partnerships with airlines, transport providers, and local promoters to keep the dream alive.
WUKARI, THANK YOU!!! pic.twitter.com/CP9ATlF2rr
— Llona (@Boyllona_) July 4, 2025
At its core, the tour was more than just a concert series. It was ministry. Llona’s message resonated not because of spectacle but because of truth. His music became therapy for fans who found themselves in his lyrics. And this made every stop feel like a sacred experience.
While Nigeria’s music industry continues to gain global traction, the country’s live music scene remains underdeveloped. Llona’s Homeless tour is proof that artists can tour successfully within Nigeria if they are willing to plan, invest, and sacrifice. Despite cancelling the Jos concert due to insecurity, the tour’s success sends a powerful message to the industry and policymakers: touring is possible, and there’s a willing audience.
The government also has a role to play. Nigeria’s artists and fans need a safer environment, stronger infrastructure, and better economic conditions to enjoy music on a national scale. It’s not enough to celebrate global wins while neglecting the local experience.
Llona’s tour reminded Nigerians of the power of music to bring people together. In a country often divided by ethnicity, religion, and economic disparity, the tour became a unifying force. It gave fans a reason to believe again in music, in healing, and in the power of a voice that speaks to their soul.
