After a period of quiet reflection, Runtown makes a powerful comeback with ‘Soundgod Fest Vol. IV’, a six-track EP that affirms his place as one of Nigeria’s most sonically sophisticated and emotionally intelligent artists.
Far from a routine release, Soundgod Fest IV feels like a self-assured statement, one that doesn’t seek validation but instead affirms his identity as a master of genre-blending and mood-setting. The project reflects his journey: seasoned, sharpened, and shaped by years of experimentation and introspection.
The EP kicks off with ‘Mood Swings’, a smooth, vulnerable piece about the shifting energies in a relationship. Runtown embraces unpredictability here, choosing to flow with emotional chaos rather than resist it, an elegant metaphor for love in its most authentic form.
Next is ‘End A Man’, where Runtown shifts gears, exuding confidence and flair. It’s a braggadocious but controlled performance, full of clever wordplay and effortless rhythm. He’s not just rapping, he’s reminding listeners of his lyrical dexterity and comfort at the mic.
‘Mon Bébé’ is perhaps the most poetic offering on the EP, a fusion of French lyricism and Afro-R&B charm. It’s tender, melodic, and rich in intention, showcasing Runtown’s skill in weaving romance into rhythm without losing substance.
The previously released ‘Do Me’ also makes an appearance, this time enriched by the context of the larger project. Its emotional weight feels heavier, as Runtown explores themes of passion, consequence, and vulnerability. It’s both plea and confession.
One of the EP’s highlights is ‘Dangerous Hearts’ featuring UK singer-producer Mr. Hudson. Sampling Sade’s classic ‘Sweetest Taboo’, the track leans into a cinematic soundscape that bridges nostalgia and modernity. Lush, haunting, and atmospheric, it’s a genre-bending standout that exemplifies Runtown’s global ear and storytelling prowess.
From start to finish, Soundgod Fest IV is a masterclass in restraint, confidence, and sonic balance. Runtown doesn’t force trends or chase hits, he moves with intention, letting his music speak volumes without noise.
This project is a reminder of the artist’s unique role in Nigeria’s music landscape. From ‘Mad Over You’ to his global collaborations, Runtown has always chosen the road less traveled, fusing Afrobeats, R&B, trap, reggae, and more into his own unmistakable sound.
Soundgod Fest IV isn’t just a return, it’s a reaffirmation. It proves that Runtown doesn’t need to shout to be heard. His quiet conviction and genre-bending creativity are more than enough to remind us why he’s still one of the most distinctive voices in African music.
